Electric Violin, Musical Instrument, Classical, Music, Violinest, Mintz

Electric violin classical music


For some reason it's difficult for me to place the words electric and violin in the same sentence. Okay, so you're not Mintz and you like your musical instruments on the harder side. That's fine because this stringed marvel rocks!

I'll Bet You Never Thought You'd Be Playing an Electric Violin


Electronic Drums are Common but Violins?

 

Most notably publicized through Yellowcard’s Sean Mackin, the electric violin combines the classic sound of strumming strings with the power of rocking acoustics. The instrument is not unheard of, but it remains to be seen whether it will achieve as much mainstream acceptance as the electric guitar, or even the mellow sound of antique violins.

 

Public reaction to the electric violin is varied. Some receive it with enthusiasm and fascination; others see it as an unnecessary gimmick.

 

Both viewpoints have their merits. On one hand, it makes sense to celebrate the fusion of different musical disciplines. Musical genres shouldn’t have to be so strictly segregated.

 

On the other hand, the potential crossover of the classical violin to classic rock can open the door to any old instrument undergoing electrical engineering just for the novelty of it rather than aesthetic interest. Some might fear the possibility of these electronic instruments replacing their respective authentic ones.

 

As of now, skeptics have little reason to worry. The electric violin is rarely used in classical performance and mainly wanders about the realm of pop rock and other more mainstream genres of music. It may end up traveling the way of the guitar, in that classical and electric guitars are viewed as distinct instruments used for different parts of the musical agenda.

 

Granted, electric guitars have a very different sound whereas an electric violin tends to sound similar to the original. Perhaps the electric violin, like the electric acoustic guitar, will fall somewhere along the line between the two domains. In any case, currently the electric violin hardly appears poised to establish itself as much as the electric guitar has, which is an interesting prospect to ponder.

 

It may simply be a matter of culture and time. Electric guitars conjure up the notion of rock and roll while violins are automatically associated with an educated musician who has learned to read classical sheet music. Electric violins are just that—electric violins.

 

Electric guitars have had a lot more publicity, leading to more widespread exposure and acceptance. It’s entirely possible that after a decade or two, the idea of the violin as a rock instrument will be nothing absurd or out of the ordinary.

 

The public will inevitably dissent over whether this is something to be anticipated or feared. Diversity is to be encouraged, one side will say; mediocrity is not, the other side will counter.

 

Should the violin be reduced to yet another instrument converted into modern fare purely out of base, even morbid enjoyment? Whether the electric version will prove to be a creative advancement or just another technological stunt remains to be seen. The horrible thought lingers of some punk rock guy or girl putting a pickup on their inherited Strassburg. How gruesome!


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